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Saturday, 23 September 2017
PRESS RELEASE!
Tuesday, 19 September 2017
SECOND ATTEMPT TO POST BLOG
First review from publishers of manuscript for second book ('A Spring Awakening' probably) came back. Always a kick in the teeth! 'Lose 20,000 words, cut dialogue between main characters, chop this bit, lose this reference...' Hard because you've labored over it, and some of those bits are essential to plot or characterisation. But there's a helpful phrase I came across: writing is rewriting. The perspective of another set of eyes tells you when the padding sucks energy and movement from the plot. People read what moves. There, that's a saying with at least a couple of meanings. People read what moves. Moves along. Moves them. Moves society. And maybe I tend to be verbose in my writing, which is ok in a reflective piece, but not a novel. A novel must have pace. Pace not peace! Not until the end anyway. I do favour a happy ending!
But then again, what's the point of having pace, if the reader isn't engaged with the characters? I like the view for fiction: 'just because it's not true, doesn't mean its not real'. The characters have to be 'real' for the action to mean anything. Otherwise it's like one of those Sci fi films where the whole budget has been spent on eye - boggling action but the people and what happens to them doesn't engage. Boring! So there's a balance here. Shall I cut out everything that makes the people real, a lot of which is interaction through dialogue? Of course not.
A balance. The reviewer must be obeyed! But not completely! Otherwise, why not just write shorter books? Chop out every alternate chapter! And, by the way, I love the chunky feel of how 'A Christmas Calling' has come out. Thank you Instant Apostle #IA
For my future biographers: A PICTURE OF THE AUTHOR AS A YOUNG MAN
But then again, what's the point of having pace, if the reader isn't engaged with the characters? I like the view for fiction: 'just because it's not true, doesn't mean its not real'. The characters have to be 'real' for the action to mean anything. Otherwise it's like one of those Sci fi films where the whole budget has been spent on eye - boggling action but the people and what happens to them doesn't engage. Boring! So there's a balance here. Shall I cut out everything that makes the people real, a lot of which is interaction through dialogue? Of course not.
A balance. The reviewer must be obeyed! But not completely! Otherwise, why not just write shorter books? Chop out every alternate chapter! And, by the way, I love the chunky feel of how 'A Christmas Calling' has come out. Thank you Instant Apostle #IA
For my future biographers: A PICTURE OF THE AUTHOR AS A YOUNG MAN
Monday, 18 September 2017
First review from publishers of manuscript for second book ('A Spring Awakening' probably) came back. Always a kick in the teeth! 'Lose 20,000 words, cut dialogue between main characters, chop this bit, lose this reference...' Hard because you've labored over it, and some of those bits are essential to plot or characterisation. But there's a helpful phrase I came across: writing is rewriting. The perspective of another set of eyes tells you when the padding sucks energy and movement from the plot. People read what moves. There, that's a saying with at least a couple of meanings. People read what moves. Moves along. Moves them. Moves society. And maybe I tend to be verbose in my writing, which is ok in a reflective piece, but not a novel. A novel must have pace. Pace not peace! Not until the end anyway. I do favour a happy ending!
But then again, what's the point of having pace, if the reader isn't engaged with the characters? I like the view for fiction: 'just because it's not true, doesn't mean its not real'. The characters have to be 'real' for the action to mean anything. Otherwise it's like one of those Sci fi films where the whole budget has been spent on eye - boggling action but the people and what happens to them doesn't engage. Boring! So there's a balance here. Shall I cut out everything that makes the people real, a lot of which is interaction through dialogue? Of course not.
A balance. The reviewer must be obeyed! But not completely! Otherwise, why not just write shorter books? Chop out every alternate chapter! And, by the way, I love the chunky feel of how 'A Christmas Calling' has come out. Thank you Instant Apostle #IA
For my future biographers: A PICTURE OF THE AUTHOR AS A YOUNG MAN
But then again, what's the point of having pace, if the reader isn't engaged with the characters? I like the view for fiction: 'just because it's not true, doesn't mean its not real'. The characters have to be 'real' for the action to mean anything. Otherwise it's like one of those Sci fi films where the whole budget has been spent on eye - boggling action but the people and what happens to them doesn't engage. Boring! So there's a balance here. Shall I cut out everything that makes the people real, a lot of which is interaction through dialogue? Of course not.
A balance. The reviewer must be obeyed! But not completely! Otherwise, why not just write shorter books? Chop out every alternate chapter! And, by the way, I love the chunky feel of how 'A Christmas Calling' has come out. Thank you Instant Apostle #IA
For my future biographers: A PICTURE OF THE AUTHOR AS A YOUNG MAN
Monday, 11 September 2017
GET THE BOOK!
It's arrived! The copies of my book 'A Christmas Calling' from the publishers - the copies I now have to sell.
As mentioned previously, it's based on the story of Scrooge, and it's aimed at an adult readership, to light the festive fires in our hearts in the run-up to Christmas (there were Christmas things in the shops today!). I hope you'll buy a signed copy from me.
I can sell them at less than the Amazon price, at £8. Postage and packing is £3 and remains that same price for anything up to 6 copies. So, 1 copy is £11, 2 copies is £19, 3 copies is £27, and so on.
You can request copies by email (chriscottee@sky.com) or post (61 Westfield Ave, Watford, WD24 7HF). Please make sure your name is clear and tell me if you have a particular wording you'd like me to put ('My dearest and oldest friend', 'the true inspiration behind all my writing'!!)
Send a cheque or you can transfer the money by BACS: my sort code is 60-00-08 and account number is 49111841 account name REVEREND C P COTTEE)
So ... buy a copy! Buy copies! They will make great presents both for Christians and those who are not. Send me HUGE amounts of money!
By the way, if you're in Watford and you see me from time to time we can arrange delivery without postage and packing costs. If you're abroad we need to negotiate P&P!
As mentioned previously, it's based on the story of Scrooge, and it's aimed at an adult readership, to light the festive fires in our hearts in the run-up to Christmas (there were Christmas things in the shops today!). I hope you'll buy a signed copy from me.
I can sell them at less than the Amazon price, at £8. Postage and packing is £3 and remains that same price for anything up to 6 copies. So, 1 copy is £11, 2 copies is £19, 3 copies is £27, and so on.
You can request copies by email (chriscottee@sky.com) or post (61 Westfield Ave, Watford, WD24 7HF). Please make sure your name is clear and tell me if you have a particular wording you'd like me to put ('My dearest and oldest friend', 'the true inspiration behind all my writing'!!)
Send a cheque or you can transfer the money by BACS: my sort code is 60-00-08 and account number is 49111841 account name REVEREND C P COTTEE)
So ... buy a copy! Buy copies! They will make great presents both for Christians and those who are not. Send me HUGE amounts of money!
By the way, if you're in Watford and you see me from time to time we can arrange delivery without postage and packing costs. If you're abroad we need to negotiate P&P!
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